Layer by layer (:
… do have to say, it is very hard to photograph physical paintings, and the actual painting looks way better than this, far richer, the tone more nuanced.
Maria progresses (:
Loving working with physical paint/brushes/canvas again, after a four year break. Strangely, it feels like I’ve not even been away… everyone I have ever talked to about the fact I do digital painting (everyone who has never done it) thinks that digital painting in Photoshop is some kind of trick/gimmick, where the software does everything for you, these are the same people who think Photoshop ‘magically’ does everything it does; they do not understand that painting in Photoshop is almost exactly like doing physical painting, especially when you use a Wacom and stylus, as I do. You still have to physically, by the use of your stylus on the tablet, blend the paint, even if it is digital paint, the reason Photoshop is so damned expensive is because it is amazing! Your hand gets tired, just like doing a real painting, only it’s more your arm that gets tired doing physical painting. Anyway, I think thats why I am not the least bit rusty, now. The only rusty aspect was my forgetting to clean my gear after my first few sessions… you don’t have to clean a stylus!
Both these photos are crap, but, you get the picture (:
Some of my most regular, recent followers, know nothing of my first-born baby, Creaturina, or of my second-born, Alice. One, in particular, recently said she would read Creaturina’s story ‘when she had time’, but, I know, like everyone else, she will never ‘have time’, so, it’s up to me to force my incredible girl down her throat… Meri, I know you will love Creatuie, she is totally your kind of girl! So, read this … it’s my Honours thesis precis, and, if you read nothing else of Creatuies story, will tell you who she is, what she does, how she does it, and place her in time. Believe me, there has never been anyone like my girl, and, yes, I genuinely love her… I know she’s out there, and I love her.
Creatuie has evolved hugely since I first developed her as part of an illustration assignment in 2011 (I had to create a ‘creature’, I did this acrylic painting… got an A+)…
…here she is in 2014, a digital painting/drawing…
… here she is, now…
… Creaturina is my baby, I have invested a huge amount of love into her creation, and she continues to evolve. She is the coolest, toughest, most enigmatic woman ever to walk the Earth… she’s not human, yet, somehow, she’s more human than any of us, and we really, really need her.
I did an illustrated Creaturina book (made it, bound it, etc, myself) for my end-of-degree project, as well as an exhibition of Creatuie paintings (real, physical ones)… I got an A+ for it, as I did for almost all my illustration work ( I got a few A’s)… one of the criticism’s the book/story got from the judges, was that Creatuie had an impossible story arc, because she was indestructible, hence, no story arc. They were, of course, right. So, I introduced Alice to the mix… I’ll do a ‘brief Alice Intro’ next (:
Oh, and if you are still reading this, here’s another Creatuie story (:
Sorry to labour this painting of my delicious Alice, but I’m still experimenting with lomographic photography. I took this with my most recent lomographic acquisition, a Polaroid 600 Extreme.
This camera takes way better pictures than the Polaroid Land camera I slightly less recently was playing with.
I took this with my recently acquired, 34 year old Minolta Weathermatic A, one of several gorgeous old camera’s I have recently bought to further my new interest in lomography. This camera not only takes photos in the rain (it was pouring down), but can be used under water. It uses 110 cartridges. This is an image from the first film I put through it. This is also the first 110 film I have used since I was 17 (38 years ago) when I bought my first camera, also a Minolta, but a 110 zoom—I loved that camera.
I’m loving my adventure into lowtech photography!